**DAY 16**
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Hanoi and Ho Chi Minh City are the two main cities of Vietnam, located at the northern and southern ends of this long and narrow country respectively. If we were to compare them to Chinese cities, the bustling chaos of Ho Chi Minh City is akin to Shanghai, while Hanoi, as the administrative center, is more tranquil and orderly, exuding a humanistic atmosphere similar to Beijing.
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If a traveler has ample time and decides to take a train journey lasting forty-eight hours from Ho Chi Minh City to Hanoi, he will gradually come to understand the differences between the north and south of Vietnam through the changing scenery outside the window, whether in the daily life of the city, or in the natural landscape.
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After two days and two nights of exhausting travel, with no chance to stretch his legs, the moment when the traveler steps into the land of Hanoi, he will notice a change in the air. Without crossing any national borders, the train journey could bring a traveler to a world that feels entirely different. If we still remember, Vietnam used to be two independent countries a few decades ago.
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In a sense, Tinjau's journey truly begins only when he sets foot in Hanoi. There are no guides, no reserved hotels, and not even have a fixed itinerary. Standing in a completely unfamiliar city, Tinjau opens his heart to the infinite possibilities that lie ahead. But can Tinjau truly open his heart?
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Walking by Hoan Kiem Lake in the city center, the picturesque scenery can only bring Tinjau a slightly calm, yet this tranquility does not create enough space for him to genuinely appreciate its beauty. Inside his backpack, he still carries the weight of whole Ho Chi Minh City, a burden that weighs heavily on his heart. Yes, he is not free.
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Although he can go wherever he wants and do whatever he wants, the one thing he desires most remains out of reach.
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"Tinjau... I feel so lonely... I want you... Tinjau... I want you..."
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"Don't try to step into my life. No matter how close two people are, how well they understand each other, they will always remain strangers."
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Fragments of his time with Siupui keep flashed back into Tinjau's mind.
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"Let me introduce you, this is my fiancé, Van Eering."
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Tinjau is certain that leaving Siupui makes him feel reluctant, sad, and even painful. After all, she was the one who introduced him to "LV," freeing him from the prison of urban daily life. But does he want Siupui? He doesn't know.
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"Why didn't you bring your girlfriend along last night?"
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Tinjau recalls the Vietnamese girl who inexplicably occupied his thoughts, constantly remembering her wearing a golden cheongsam, standing at the hotel reception with a service smile that radiates simplicity and warmth. He thinks of her dancing at the disco, her slender waist swaying to the rhythm, exuding youth and sensuality.
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"Then are you… sleeping alone tonight?"
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"She is not my girlfriend," Tinjau had once said that insistently to the Vietnamese girl, but when she came to his room as promised, what she saw was Siupui with his member in her mouth.
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Since that night, Tinjau never saw her working at the hotel reception. “Did I…break that girl’s heart? How deep he hurt her?” Tinjau thought to himself. He afraid that he would not have a chance to find out anymore. Thinking of this, Tinjau sighed deeply.
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Tinjau lowers his head to read the travel guide in his hand. There is a passage about the legend of Hoan Kiem Lake. In the 15th century, Emperor Le Thai To encountered a Golden Turtle God in the lake and received a magical sword from the Golden Turtle God, which he used to resist the invasion of the Ming Dynasty (1418-1428). After he finally drive out the Ming force in Vietnam, Emperor Le Thai To revisited this lake, he rowed a small boat through the still water of Hoan Kiem Lake when the Golden Turtle God emerged to reclaim the sword. Once the turtle received the sword, it immediately submerged into the lake, disappearing without a trace. Thus, the name "Hoan Kiem Lake" came to be.
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This story sounds like the legendary tale of King Arthur obtaining Excalibur in medieval England. With a touch of legend, Hoan Kiem Lake appears to Tinjau that it is kind of spiritual. This indeed is a romantic heroic legend.
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He strolls around the lake, listening to the folk guitar music played by two foreign youths, feeling languorous yet unable to sleep. The depression that Tinjau try to hold back ultimately needs an outlet.
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Leaving the lakeside, Tinjau wanders aimlessly in the inner city. It seems he is looking for something, yet he cannot articulate what that something is. He has some idea in his mind and knew the approximate direction he was looking for, but that subconscious thought has yet to surface, so he can only wait patiently until inspiration came.
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Until he arrives in front of a school, where the strong reflection of a metallic object stings his eyes.
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Tinjau's heart is thumping hard.
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At the bottom of the display window, a shiny tenor saxophone is displayed.
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Since his university days, Tinjau has had a small wish: to learn a musical instrument and practice it hard enough to participate in a small concert. He taught himself the guitar for a few weeks. Just when he finally developed the habit of practicing guitar every day, he was interrupted by various mundane matters, working overtime or going out to play for several days in a row, and then he forgot about it until months later when he suddenly remembered: I used to play guitar every night. When did I stop playing guitar?
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The saxophone is another small dream of his. After repeatedly reading Haruki Murakami's short story "The Girl from Ipanema", Tinjau specifically went to HMV to buy the original remastered album "Getz / Gilberto" released by the famous label Verve. This was the first jazz album he bought and the only jazz album he ever bought. Although he did not become a jazz fan because of this record, Tinjau genuinely loves the music on that album.
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The tenor saxophone melody played by the famous light jazz musician Stan Getz in the song "The girl from Ipanema", which shares the same name as the novel, captivated Tinjau with its deep and rich tone. He listened to it again and again without growing tired of it. Of course, this was largely because "this is the music that Haruki Murakami loves", which made him listen to the song with a sense of awe akin to a "pilgrimage", and he was moved to this extent.
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At this moment, seeing the shiny domestic tenor saxophone displayed in the window of the musical instrument store which located in front of the "Hanoi Conservatory of music" (which changed its name to the Vietnam National Academy of Music in Year 2008), the desire that Tinjau had been buried for a long time was unearthed.
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Another reason is the price tag on the saxophone show that it is 5,250,000 Vietnamese dong, equivalent to about USD300, is a very attractive price. And the amount of Vietnamese dong in Tinjau's pocket is exactly this amount. With a Chinese mindset, such coincidences are often regarded as a form of "fate."
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Although Tinjau likes the saxophone, he has no idea how to distinguish the tonal differences between different brands of instruments. He has no concept of how to choose a saxophone. Since he is a beginner, just take it casually.
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In a foreign country where no one knows him, Tinjau boldly sits by the Hoan Kiem Lake, started learning from the beginning by exploring the scales according to the elementary tutorial textbook he bought from the store.
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In the learning process, he inevitably produces a lot of off-key and harsh sounds, and passers-by pointed out and whisper curiously, but Tinjau didn’t seem to care at all.
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If Tinjau were still in his hometown, he would only practice in his room behind closed doors, only showing off to friends when he had made some progress.
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When people are traveling, they will tend to be more open-minded and daring to do things they wouldn't normally do.
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Most importantly, sitting by the lakeside, Tinjau can focus on learning the instrument he has always wanted to learn without any worries, which makes him feel exceptionally joyful.
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Tinjau never imagined he could spend these two weeks at such a slow pace. This kind of leisure is what he has longed for every morning since entering the workforce, struggling to get out of bed.
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As a white-collar worker, Tinjau only had one week of annual leave each year. Since he was not allowed to be away from his job for too long, he reluctantly split his vacation into two or three days. Although it was called a "holiday," it was merely enough to "catch his breath".
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Thus, every day he would nestle in a simple state-run hotel, sleeping until he naturally woke up. After lunch, he will sit leisurely by the Hoan Kiem Lake, torturing people's ears with his playing. Only when dusk fell would he return to the hotel to shower, go out for dinner, and finally lie in bed watching Vietnamese-dubbed ESPN sports programs until he fell asleep.
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Every day was like this.
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In the blink of an eye, two weeks had passed.
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**DAY 32**
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Tinjau is satisfied with this kind of life that is almost aloof from the worldly affair. Every day, accompanied by the saxophone in his hands, it seems he is gradually developing feelings for it, becoming more and more enthusiastic about the repetitive basic practice, and feeling joy in the small progress he makes each day.
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It's like a pair of lovers who have just started dating, slowly adjusting to each other in their sexual relationship, exploring and gradually mastering each other's sensitive areas, learning the little tricks to stimulate those sensitive spots.
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For " The girl from Ipanema," that Stan Getz played the main melody, Tinjau is so familiar with it that he can sing it accurately without needing sheet music.
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His first goal is to reproduce the impression in his mind as perfectly as possible with the saxophone in his hands.
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On the sixteenth day, Tinjau successfully played the entire piece of music for the first time without missing a single note. The satisfaction he felt was akin to the first time he and his girlfriend reached climax together.
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The intimate connection between a person and an instrument.
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Although in terms of technique or artistry, it is not yet up to par. However, the emotional expression in his performance has already moved the performer himself.
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Perhaps Tinjau's performance was too honest, exposing his most genuine feelings. Unbeknownst to him, he had unconsciously expressed his repressed desires for sex and his helplessness and regret about not being able to have the bodies of two girls in Ho Chi Minh City through the deep vibrations of the music.
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Many years later, when Tinjau sees research results on animal courtship behavior on the National Geographic channel, he suddenly recalls that his performance by the Hoan Kiem Lake was remarkably similar to that of male animals in their prime mating season.
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In the animal or insect world, when courting the opposite sex, they express themselves to stimulate the other's sexual desire. Some emit scents, some display their plumage or other body parts, and some communicate through "language".
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From a modern scientific perspective, one of the ways animals convey their "courtship language" is by producing sound vibrations of certain wavelengths to stimulate the sexual desire of the opposite sex.
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That evening, after Tinjau perfectly played "Girl from Ipanema" for the first time, he was deeply moved, not only by himself but also by two strangers who shared the same sentiment.
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As the sun set, Tinjau packed up his things and planning to return to the hotel for a shower when he was intercepted by two blond girls. They sat on either side of him, and one of them abruptly grabbed his arm, the tip of her high breasts gently brushing against his elbow
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Her tits were completely hardened.
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"We sit on that bench every day, listening to your saxophone," one of the girls said. Her English had a strong European accent, and if she hadn't spoken in a slow and languid way, Tinjau wouldn't have understood her at all.
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"Uh, I'm sorry. I'm just a beginner; I've only been playing for two weeks," Tinjau said, trying his best to speak the most fluent and decent English he could. After his experience with the reception girl, he had practiced the common pick-up phrases which published in the appendix of the travel guide (There were even examples for haggling with street worker. The travel guide nowadays was indeed quite thoughtful), so he wouldn't be left speechless when needed.
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"Vera has been staring at your face for quite a while. Maybe you were too focused to notice? She keeps sighing and saying that a man who is completely absorbed in his own affairs is the sexiest."
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"Speaking of sexy, how can I compare to you two?" Tinjau politely kept his gaze on their faces, as their tops were far too thin and their skirts were far too short. "Is this Vera? Nice to meet you. And who is this other one?"
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"Martha..." Vera looked at Martha playfully and said, "Every night, she hides in the bathroom and pleasuring herself while humming your music. The sounds she makes are quite loud. It really unbearable to listen to."
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Tinjau swallowed hard and trying to maintain a calm expression. At this point, was there anything left to say?
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This was Tinjau's first real travel romance.
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Before this, he had never had sex with a foreign girl, nor had he ever tried to sleep with two girls at the same time.
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This was also the first time he truly understood what it meant to "endless sex".
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Martha, with her shiny straight hair, had the figure of a model, boasting a tall and slender figure paired with beautifully tanned skin. When she raised her head to look at you, there was a hint of queenly arrogance, making it seem like this girl was somewhat unattainable.
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But when she seductively pressed her slender fingers against her chest, intentionally or unintentionally pulling her low-cut neckline down a little more, it made a man immediately understand: this girl was lifting the curtain to her boudoir, inviting him to intrude boldly.
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Is it the kind of queenly aura that makes a man willingly become a slaves?
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She knows where her charm lies and how to wield it to the fullest. Men are drawn to noble women. And seeing such a woman make bold and seductive moves is even more exciting.
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After pushing Tinjau onto the bed, Martha lifted her thin top and draped it over Tinjau's head, her soft and fragrant breasts pressing tightly against his face.
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Martha knew exactly what Tinjau craved. By observing his gaze and breathing, she could tell that her breasts and body scent were precisely what he longed to possess.
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From the very beginning, Tinjau was captivated by Martha's breasts. Small and smooth, they stood up like tender spring bamboo shoots, and the pale areola were almost the same color as her skin, but they would turn a rosy hue when they became hard and engorged.
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They were the kind of exquisite woman that only appeared in erotic novels from the sixties.
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Martha's figure did not conform to Tinjau's perception of white girls; aside from her breast shape resembling that of an Asian woman, her hips were not wide, and her buttocks were high and perky. Even when she was still dressed, her short skirt was lifted high, making her look stunning.
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Only when Tinjau touched her hips did he discover, to his surprise, that this perfect lower body curve was not created by shapewear or corsets.
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Every breath Tinjau took was filled with Martha's natural scent. The girl's fragrance reminded him of the clear blue sea and the scorching fine sand that burned his feet.
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The various sensory stimuli made Tinjau’s member feel engorged and aching. He could no longer resist and whispered to Martha, pleading for her to take off his pants to relieve the pressure below.
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Martha smirked like a victor, and start reached behind her, skillfully unbuttoning his pants, and with a tug of her toes, Tinjau's pants slid down to his knees.
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Finally freed from the suppressed pain, his member stood tall and proud. But it was immediately enveloped by a warm, tight sensation.
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There was no foreplay yet, but Martha was already completely wet. Clearly, she had been longing for this moment of union for a long time.
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Tinjau often heard people say that although the bodies of the white girls are generally more attractive, they are not necessarily the stunner in bed. When it comes to the "sensations of union", they fall far short of Asian girls.
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Perhaps this is why Chinese and Japanese girls are so popular among white men. They are prized for their delicate and petite body, and their skins are smooth as silk.
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Before the actual union, Tinjau felt a bit worried that they might find his Asian size insufficient. If the sensation of entering felt like a needle dropping into the ocean, how could he satisfy them?
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But the feeling Martha gave him was so tight and the friction so intense. Could it be that everything he has been hearing all this time is wrong?
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Rather than saying it was tight, Tinjau gradually felt that Martha seemed to possess a kind of adjustable suction, able to conform to the size and shape of her partner, tightly enveloping and sucking him in, achieving a complete fit.
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It turns out that "sexual techniques" can be honed to this extent.
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In front of a strange girl, one must never lose his prestige. Especially when facing a foreign girl reputed to have a strong sexual appetite, Tinjau felt he had to fiercely protect his male dignity.
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He desperately thought of vast grasslands and blue skies, trying to reduce the level of stimulation. He absolutely could not finish before she reached her climax.
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The girl's sensitive reactions and furrowed brows made Tinjau feel immensely satisfied. Just when he still had about half his strength left, she tightly grasped his arm and twitched all over, reaching the peak of lust.
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This expression ignited Tinjau's primal instincts. After confirming that his dignity and face were intact, he no longer had to hold back and lifted Martha's legs onto his shoulders, charging forward at full speed.
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Martha's moans gradually turned into heavy breaths, she could no longer make a sound. She put her hands in her wild hair, twisting her toned waist, her legs tightly wrapped around Tinjau's thighs, matching his vigorous thrusts.
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Just as Tinjau was about to reach climax with Martha, a small hand suddenly appeared, gently tugging at his balls, easing his urge to release.
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It is Vera.
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Tinjau who was pinned down on Martha, turned to look behind him and found Vera's legs wide open, completely soaked. She had been quietly watching from behind, seemingly enjoying the sight of others having fun while pleasuring herself.
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But seeing him and Martha go on and on, reaching climax after climax, she must have reached her limit. Moreover, she needed to ensure her own pleasure. If Tinjau released himself fully inside Martha, who knows how long it would take for him to recover enough to focus on her?
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After Vera intervened, Tinjau's heat was suppressed. Meanwhile, the heat kept surging inside Martha, she was unable to hit the brakes, suddenly tightened her abdomen and she was coming without reservation.
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Tinjau knew that if he wanted to savor the pleasure of both girls, he absolutely could not emission at this moment. But with Martha's intense and rhythmic contractions, trying to hold back was not an easy task.
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Several times he felt he could no longer hold back and was ready to cum, but Vera would not allow him. At certain critical moments, she would gently press the perineum between Tinjau's anus and scrotum with her fingers, forcefully suppressing his urge to ejaculate.
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Tinjau had read about this technique on online forums, knowing it was one of the recently popular tricks to effectively extend male endurance. But since he had never received complaints from partners about this, he had never used it.
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However, now that he was dealing with two girls at once, he could not deny that if it weren't for Vera's deep understanding of this technique, he would likely not be able to hard-on again after such a thorough emission.
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As Martha's heat gradually subsided, Tinjau slowly withdrew. The look of his member made both girls scream, and Tinjau also looked a little surprise himself.
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After experiencing a round of stimulation with Martha and holding back ejaculation for so long, Tinjau’s member was now all red and swollen in an exaggerated and disproportionate way.
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In Tinjau's past sexual experiences, he had only reached this near-limit state a couple of times.
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These two girls seemed far from ordinary good girls.
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Without any further foreplay stimulation, Tinjau immediately pounced on Vera, entering her smoothly without needing to aim or assist.
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The gentler Vera did not demand the same forceful thrusts as Martha. Clearly, she enjoyed the feeling of being filled, allowing Tinjau to use gentle movements, slowly rotating, not needing to pull out too much, just reaching the deepest point each time.
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Tinjau combed his hair back, wiping the sweat dripping from his forehead, and slowly moved, giving himself the leisure to appreciate Vera's body.
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Completely different from Martha, Vera's figure was extremely voluptuous, curvaceous and protruding. According to the standards of Asian urban women, she was slightly plump, but she exuded a healthy lusciousnes that Tinjau had not seen in Asian girls for a long time.
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When holding this body Tinjau felt soft and comfortable. Even when he exerted all his strength to embrace her tightly and pressing her with full weight down, he was not afraid of hurting or straining her.
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Vera has an impressive figure, paired with a heart-shaped face and wild curly hair, which makes her exude sexy charm while also carrying a sweetness.
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Her skin was peaches and cream, firm, and when he lightly brushed his palm over it, she would sensitively shrink back, a reaction that men love to see. Her huge, soft boobs, with protruding tits, you could tasted slightly sweet when sucking it. The part of her that union with him was warm and elastic, offering a different experience compared to the tight fit of Martha.
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To Tinjau, he had not yet begun any real movements, but Vera's limbs tightly wrapped around him, her furrowed brows, and her abdomen twitching told him that she was already at her limit.
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"...So soon?"
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At that moment, Martha, who had been lying beside them watching, reached out her hand, gently stroking Tinjau and Vera's pubic hair, saying, "Didn't I just say? Vera can't stand a man's focused expression. Especially when he's focused on her body."
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Vera reached out a hand to touch Tinjau's face while she still twitching. She is trying to turn his head back to her, "Tinjau~~ look at me! Look at me! Please!" She nearly begging him.
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Martha's fingers gently pressed on Vera's love button, quickly flicking back and forth. Before long, Vera's abdomen twitched violently again.
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"Vera likes it this way. As long as someone strokes her like this, she can climax all night long. Try entering from behind and wrap your hands around her."
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After teaching Tinjau the trick to stroking, Martha did not stop, and the two collaborated to create one climax after another for Vera. By the time Tinjau finally finished, Vera was left limp on the bed, in a semi-conscious state.
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After leaving Vera's body, Tinjau realized that this was Martha's deliberate scheme to monopolize him. In order to preserve his waist strength, she made Tinjau lie on the bed, then lowered her head to take his memeber fully into her mouth.
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Isn’t this the legendary "deep throat"? (This technique was first demonstrated by actress Linda Lovelace in the 1970s pornographic film "Deep Throat." The uncut version of this film was controversially screened nationwide in the U.S.) Waves of stimulation surged to his brain, making him involuntarily sigh: it seemed that the performance of this night had just begun.
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In the end, Tinjau fell asleep on top of Martha in a state of union. Before this, he had already emission three times inside her, not counting the one in her mouth.
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**DAY 34**
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"Every time I listen to Tinjau's performance, I get completely soaked... We were supposed to return to Paris three days ago, but..." Vera lying on Tinjau's chest and said.
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"If I don't devour you whole, we'll live with regrets for the rest of our lives," Martha said, leaning on the other side.
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"Isn't that a bit exaggerated?" Tinjau was quite skeptical about the identities of these two girls. Given their sexual skills, he had thought they might be sex workers, but it seemed illogical for them to come to Vietnam for that.
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Moreover, with their looks and figures, if they were to be sold, the price would likely be beyond what Tinjau could afford. The more he looked, the more he felt they looked familiar. Could they be international models or TV actresses?
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Just as Tinjau was about to beat around the bush to ask, they give him the answer directly.
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Martha had indeed been on television. She was a U.S. citizen who had participated in a famous reality competition show called "America's Next Top Model," where the winner could instantly become a top model.
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Martha had persisted until the final three before being eliminated.
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It is said that Martha’s parents were strongly opposed her participating in such a publicity thing, so she had run away from home to compete in the U.S. After losing the competition, in order to escape the blind date arranged by her family, she decided to team up with Vera to "explore the world," and they ended up in Vietnam.
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"It's not that I resist arranged marriages. There still things I would like to experience in my life. I'm still young..." she sighed, "Getting married, and then inherit my father's shipping company. I know that's inevitable to do, and I don't intend to refuse that kind of life. I just want to seize the last opportunity to enjoy my youth. It won’t be too late to work seriously after enjoy it enough."
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As for Vera, although she wasn't a well-known figure on television, her father was the founder of an international hotel group. And their family wealth was comparable to Martha's shipping conglomerate.
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"This reminds me of Paris Hilton, the granddaughter of Conrad Hilton, the founder of the Hilton Group."
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"We're friends with Paris, but not close friends. If I knew she would appear within a hundred kilometers, I would take a helicopter to escape in the opposite direction. That's the kind of friendship we have," Vera thought for a moment and added, "I don't like her nose."
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"As for me..." Martha said, "I don't have a choice. Because who knows, she might become my sister-in-law in the future."
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"Did Vera also run away to Vietnam to escape an arranged marriage?"
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"Not at all."
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"Actually, escaping isn't my main goal. To be precise, this trip is our journey of pursuit."
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"What are we pursuing?"
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"Have you heard of a movie called 'The Fruit is Ripe'?"
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Released in 1977, "The Fruit is Ripe" is one of the most classic pornographic films in cinema history. The film essentially has no plot. It tells the story of a well-behaved daughter in her parents' eyes who secretly travels to Greece without telling her family, living a completely reckless life, seducing every man she finds attractive and having wild sex with them. She sheds all "psychological burdens," including "fidelity" and "love," and indulges in the pleasures of sex, which can be said to be the film's main theme.
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This movie was remade into a Hong Kong film in 1997, starring actress Li Lizhen is an actress who has known as having maiden appearance for many years. She gave her first nudity performance in her acting career. This movie caused a wave of craze in Hong Kong and Taiwan. What Tinjau has seen is this Hong Kong remake version.
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"...So, in other words, it's a journey to break free from parental shackles and pursue freedom?"
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"Why do you Chinese men always speak in circles?" Martha complained, "It's a 'love-seeking journey’ in pursuit of sexual climax!"
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"Tinjau, you aren't unhappy about this, are you?" Vera asked.
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"Why would I be?"
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"Because you think we toyed with you," Martha said. "We grab the boys we find attractive, push them onto the bed, strip them of their clothes, and indulge ourselves. That's the purpose of our journey around the world together. We want to devour every sexy man who passes by us."
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"It's rare for girls to describe me as 'sexy.'"
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"How could that be?" Vera exclaimed, "It's just that Chinese girls are too reserved to say it out loud, right?"
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"...Maybe."
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"Perhaps it's just that you happen to match our taste," Martha said while playing with Tinjau's nipples. "Vera likes to see a man's focused expression, while I... prefer the lost, talentless artist. Hehe..."
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"Just watching you sit by the lake playing the saxophone every day is enough to give us countless fantasies..." Vera said, "I imagine that I will devote myself to you regardless of everything. No matter how society oppresses you and drives you to desperation, I would follow you without hesitation, embracing you as we starve to death on the streets... Ah~~"
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"I would imagine us being kicked out by our parents. On a cold winter night, you are lying in a small hotel attic dying of tuberculosis, while I... sell myself to those aristocratic old perverts who coming out from the opera house to raise money for your medicine..."
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Tinjau thought for a moment and somewhat understood why they had such sexual fantasies. Because being poor and eloping was precisely the kind of life these two girls were least likely to experience. The lack of experience created a space for wild fantasies.
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"Moreover... ever since we had fun with a boy in Bangkok, we've been completely obsessed with Asians," Martha said. "I love to touch your slender bodies, which feel like undeveloped young man. Caucasian men tend to gain weight easily after adulthood, and their sensitivity decreases with the accumulation of fat, making them harder to tease. Look! After just a few times, you're already this hard again."
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"Honestly, their member was soft and not fun. They can't compare to Tinjau's iron rod!"
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Listening to the absurd conversation between these two girls, Tinjau was truly speechless.
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But somehow, he felt a sense of relief.
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Knowing that they came from prestigious backgrounds, Tinjau had felt a bit guilty for a while. Although it was a matter of mutual consent between them, as an ordinary traveler, he kind of felt as if he was taking advantage of them.
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But in Vera's words, "We're the ones toying with you," made Tinjau feel at ease. Since it was just a game, he was the one being taken advantage of.
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In this situation, there is probably no man in the world who would mind being the plaything of two stunning beauties, even if they took a little advantage of him.
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If we were to go into Tinjau's subconscious and explore the psychological roots of his unhesitating immersion into this hedonistic paradise, we could easily discover that the seeds of today were actually sown in the soil from the very beginning of his journey.
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From the moment he met Siupui in the bar, she clearly pointed out to Tinjau that his heart was not free. Joining "LV" and deciding to embark on a wandering journey was precisely to release this bound heart.
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The "heart" has no physical form. Even if Tinjau were to abandon his job, love, family, and friends, it does not mean that his heart is free, nor does it mean he has been released.
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He still feels uncertain.
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When Tinjau was alone by the Hoan Kiem Lake in Hanoi, what he felt strongly was the feeling of uncertainty and anxiety.
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He needed to have some absolutely shocking experiences during his travels, to completely tear himself apart, destroy himself, and then reassemble to confirm his existence through an intense physical process.
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He craved to dirty himself.
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Thus, he could completely empty his mind and engage in the most shameless and revealing sexual acts with two strange women in this unfamiliar land.
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He needed to physically feel that he had been released, that he had finally attained freedom.
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But was he really free?
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He was not free.
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